Natacha Nisic
Week 187- April 9 to April 16
Week 184 – March 19 to March 26
Réveille-toi, video 1’06, March 2024
Dans le train qui se déplace d’une ville à l’autre, tu souhaites que le monde soit avec toi et non sans.
Wake up
On the train that moves from one city to another, you wish the world was with you and not without.
Week 183 – March 12 to March 19
Justice
Week 178 – February 6 to February 13
Burning Venus in My Hand
Week 173 – October 31 to November 7
2024 – Wishes
Week 165 – October 31 to November 7
Missing
Week 164 – October 24 to October 31
ET N’ÊTRE QUE BRUME
Met en place les conditions d’une expérimentation
Nous sommes plongés dans la brume.
Nos corps, nos affects se délivrent.
AND BE NOTHING BUT MIST
Sets the conditions for experimentation
We are immersed in mist.
Our bodies, our affects are released.
Week 161 – October 3 to October 10 – Manifesto
A place to be
Week 138- March 7 to March 14
@Crownletterproject, Bourg-Argental 2022. Natacha Nisic 2023
Week 137- February 28 to March 7
Week 133 – January 31 to February 7
One Breath for the last week of January 2023, the very last moment to wish for the whole year.
Week 122 – November 8 to November 15
Meuble à fiches constitué par Aby Warburg à partir de 1914 jusqu’en 1918. Kunstbibliothek, Hamburg
File cabinet constituted by Aby Warburg from 1914 to 1918. Kunstbibliothek, Hamburg
March 1 to March 7
January 18 to January 25
December 14 to January 4
WAVES OF CARE, a collective art work for TRIGGER
November 23 to November 30
September 21 to September 28
August 31 to September 7
J’ai passé l’été seule dans un château comme en quarantaine. Pour occuper mon temps, j’y ai inventé un nouveau rituel, une vague réminiscence du Jeu de Paume réactualisé par le plaisir, qui semble ne pas s’assouvir, de la contemplation des accessoires gantés multicolores qui embellissent notre quotidien.
La règle est assez simple, il s’agit de tenter d’attendre l‘aiguille située à l’intersection des deux lampadaires et d’y faire tenir le gant. Chaque couleur a une valeur, Blanc – 4, noir, – 6, rouge – 7, bleu – 8. Mon score, ce soir là a été de 17 points. Ce qui n’est pas si mal.
I spent the summer alone in a castle as if in quarantine. To occupy my time, I invented a new ritual, a vague reminiscence of the Jeu de Paume updated by the pleasure, which does not seem to be satisfied, of contemplating the multicoloured gloved accessories that embellish our daily life.
The rule is quite simple, it is a question of trying to reach the needle located at the intersection of the two lampposts and to hold the glove there. Each colour has a value, white – 4, black – 6, red – 7, blue – 8. My score that night was 17 points. Which is not so bad.
August 3 to August 10
July 12 to July 19
June 22 to June 29
June 7 to June 14
June 1 to June 7
May 13 to May 18
A year of The Crown Letter – A strange anniversary
April 13 to April 20
March 30 to April 6
March 23 to March 30
Tous les gestes entre nous tous les gestes revus tous les gestes perdus tous les gestes déchus tous les gestes appris tous les gestes oubliés tous les gestes à faire tous les gestes entretenus tous les gestes sans fin tous les gestes référencés tous les gestes enfouis tous les gestes inconnus tous les gestes vertueux tous les gestes infâmes tous les gestes verrouillés tous les gestes abîmés tous les gestes révoltés tous les gestes fabriqués tous les gestes bienvenus tous les gestes sérieux tous les gestes envieux tous les gestes avariés tous les gestes invisibles tous les gestes communs tous les gestes admirés tous les gestes pourris tous les gestes amoureux tous les gestes illégaux tous les gestes perçus tous les gestes interdits tous les gestes reconnus tous les gestes déçus tous les gestes attendus tous les gestes convenus tous les gestes protégés tous les gestes délivrés tous les gestes aboutis tous les gestes innocents tous les gestes appropriés tous les gestes difficiles tous les gestes attendus tous les gestes investis tous les gestes répudiés tous les gestes inscrits tous les gestes à venir
March 8 to March 16
March 2 to March 9
February 16 to February 23
February 9 to February 16
January 26 to February 2
January 12 to January 19
Vidéo 54 ‘’
December 15 to December 22
December 8 to December 15
December 1 to December 8
I love to listen to the birds singing
November 17 to November 24
October 27 to November 3
October 20 to October 27
September 15 to September 22
Single video channel 0’25 »
September 8 to September 15
September 1 to September 8
August 18 to August 31
August 4 to August 11
July 28 to August 4
July 21 to July 28
July 14 to July 21
July 7 to July 14
Nous marchons dans la campagne, le soleil est radieux et l’air frais. Les mouettes nous indiquent que la mer est si proche. Nous avançons dans le paysage en silence. La nature nous regarde, semblant ne pas partager notre inquiétude, au contraire. Tout semble si parfait et immuable.
We walk in the countryside, the sun is shining and the air is fresh. The seagulls remind us that the sea is so close. We walk through the landscape in silence. Nature looks at us, pretending not to share our concern, on the contrary. Everything seems so perfect and unchanging.
June 30 to July 7
June 23 to June 30
Selfportrait in the countryside
or
Sixty days to forget how to breathe
June 16 to June 23
POLYPHONIC MANIFESTO
June 2 to June 9
May 26 to June 2
May 19 to May 26
May 12 to May 18
May 5 to May 12
Eternity 3 – Super 8 on video
April 28 to May 5
Eternity 2 – Super 8 on video
April 21 to April 28
Eternity 1 – Super 8 on video
Natacha Nisic is a French artist and film maker. She initiated the Project « Crown Letter ».
Natacha Nisic’s work explores the invisible, even magical relationship between images, words, interpretation, symbol and ritual. Her work questions the nature of the image through various media: Super 8, 16MM, video, photography and drawing. For Arte channel, she directed « Andrea’s Sky » (2014) and « Rather Die than Die » (2018) on the First World War and the German art historian Aby Warburg. She has created the Children’s Memorial at the Shoah Memorial in Paris and is working on issues of representation of extreme violence.
Her recent shows include the Centre Pompidou, the Top Museum Tokyo , Media City Biennale in Seoul, Bienal de la Imagen en movement in Buenos Aires, Munfret in Buenos Aires, Hermès Foundation in Seoul (2012), K21 in Düsseldorf, Metropolitan Museum of Photography in Tokyo, British Film Institute, London.